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John Beltran: Ten Days Of Blue Vinyl 2LP
âI was tired of the clubs and loud sound systems. I was in to some odd stuff at the time too. Enya, Kitaro, Julio Iglesias, Yanni, Deep Forest. I went real soft for a minute. I eventually got back into Detroit Techno with a twist though.â Lansing, Michigan producer John Beltranâs second album under his government name, originally released in 1996. Apart from the alienware B-more of opening number âFlex,â thereâs only a small handful of beat tracks here, with the bulk of the album reserved for rolling arpeggios and Reich-grade synthesizer counterpoints, echoing aspects of B12âs anglo-cyborg sonics and the hi-tech romance of Carl Craig. The heavy-footed shuffle of âVenim And Wonderâ recalls some of Mark Bellâs (rip) post-LFO interstellar junkyard tekno, but there isnât much else out there that sounds quite like this, especially the more sublime passages. Beltran exhibited these sort of new age-inspired melodies on tracks like âBlue Worldâ and âNitricâ from his previous album, but here he strips away any tells that might place him in the techno class of â96, rendering Ten Days Of Blue (for the most part) timeless. Acutely rhythmic but mostly evading beats, and way too deserving of your undivided attention to be considered âambientâ⊠if you were looking for something to get you through the season change and make you feel alive again, youâve found it. Watch out for âSoft Summer,â âDecemberâs Tragedyâ (aka my parentsâ nickname for me as a kid), the meditative âCollage Of Dreams,â the eye-watering âGutaris Breeze (6000km to Amsterdam),â and the sweeping title track. Highly recommended.
- double vinyl pressing
- music label:Â Peacefrog Records 2018
reviewed by military 2step 09/2018
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View this post on Instagram
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John Beltran: Ten Days Of Blue Vinyl 2LP
âI was tired of the clubs and loud sound systems. I was in to some odd stuff at the time too. Enya, Kitaro, Julio Iglesias, Yanni, Deep Forest. I went real soft for a minute. I eventually got back into Detroit Techno with a twist though.â Lansing, Michigan producer John Beltranâs second album under his government name, originally released in 1996. Apart from the alienware B-more of opening number âFlex,â thereâs only a small handful of beat tracks here, with the bulk of the album reserved for rolling arpeggios and Reich-grade synthesizer counterpoints, echoing aspects of B12âs anglo-cyborg sonics and the hi-tech romance of Carl Craig. The heavy-footed shuffle of âVenim And Wonderâ recalls some of Mark Bellâs (rip) post-LFO interstellar junkyard tekno, but there isnât much else out there that sounds quite like this, especially the more sublime passages. Beltran exhibited these sort of new age-inspired melodies on tracks like âBlue Worldâ and âNitricâ from his previous album, but here he strips away any tells that might place him in the techno class of â96, rendering Ten Days Of Blue (for the most part) timeless. Acutely rhythmic but mostly evading beats, and way too deserving of your undivided attention to be considered âambientâ⊠if you were looking for something to get you through the season change and make you feel alive again, youâve found it. Watch out for âSoft Summer,â âDecemberâs Tragedyâ (aka my parentsâ nickname for me as a kid), the meditative âCollage Of Dreams,â the eye-watering âGutaris Breeze (6000km to Amsterdam),â and the sweeping title track. Highly recommended.
- double vinyl pressing
- music label:Â Peacefrog Records 2018
reviewed by military 2step 09/2018
Â
View this post on Instagram
Â
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âI was tired of the clubs and loud sound systems. I was in to some odd stuff at the time too. Enya, Kitaro, Julio Iglesias, Yanni, Deep Forest. I went real soft for a minute. I eventually got back into Detroit Techno with a twist though.â Lansing, Michigan producer John Beltranâs second album under his government name, originally released in 1996. Apart from the alienware B-more of opening number âFlex,â thereâs only a small handful of beat tracks here, with the bulk of the album reserved for rolling arpeggios and Reich-grade synthesizer counterpoints, echoing aspects of B12âs anglo-cyborg sonics and the hi-tech romance of Carl Craig. The heavy-footed shuffle of âVenim And Wonderâ recalls some of Mark Bellâs (rip) post-LFO interstellar junkyard tekno, but there isnât much else out there that sounds quite like this, especially the more sublime passages. Beltran exhibited these sort of new age-inspired melodies on tracks like âBlue Worldâ and âNitricâ from his previous album, but here he strips away any tells that might place him in the techno class of â96, rendering Ten Days Of Blue (for the most part) timeless. Acutely rhythmic but mostly evading beats, and way too deserving of your undivided attention to be considered âambientâ⊠if you were looking for something to get you through the season change and make you feel alive again, youâve found it. Watch out for âSoft Summer,â âDecemberâs Tragedyâ (aka my parentsâ nickname for me as a kid), the meditative âCollage Of Dreams,â the eye-watering âGutaris Breeze (6000km to Amsterdam),â and the sweeping title track. Highly recommended.
- double vinyl pressing
- music label:Â Peacefrog Records 2018
reviewed by military 2step 09/2018
Â
View this post on Instagram
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